FREE Downloadable Activity Sheet: A Crow Made a Friend Paper Doll!

Holiday House, the publisher of the early reader picture book, CROW MADE A FRIEND (http://amzn.to/1DryC4N), invites you to download a FREE PDF so that you can cut out and make this paper doll! All you need is one paper fastener to attach his wings. He has a Holiday House book bag and his own tiny copy of Crow Made a Friend. Terry Borzumato-Greenberg added a little pocket with a small square of paper and tape to the back of the paper book bag so that Crow can slip the book into the bag–neat!

Here’s the link: http://www.holidayhouse.com/docs/CrowMadeAFriend_ActivitySheet.pdf

 

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Winner of the Stencil Craft Vermeer Tote Giveaway!

Congratulations to Ruthie at refashionablylate! She is the winner of the Vermeer Girl with a Pearl Earring Tote and Stencil Kit, my first  Rafflecopter giveaway. This giveaway was held through the TLC book blog tour to promote my new book Stencil Craft: Techniques for Fashion, Art and Home. Thanks to everyone who entered!

I am going to have another kit giveaway a little later in the summer, so there will be another opportunity to win something stencil-y…so stay tuned!

vermeerokay

Introducing Stencils to Very Young Students

During my recent blog tour, I was asked by a blogger who is an art educator in a classroom with really little kids–3-5 years old–how they could get their kids started with stencils.

The best way is to gather leaves and paint off of the edges of them:

GR2 painted leaf

In this example, I collected oak leaves (they make particularly good stencils as they are sturdy whether they are green or brown), and painted off the edge of them with white gouache. I let the white gouache dry and painted over the whole page with India ink, let that dry, then washed the paper under running water (you have to use medium weight drawing paper for this so it doesn’t fall apart in the running water). But of course, you could get the same effect by painting white paint off the edge of the leaf onto a black ground, but the gouache resist technique is pretty magical if a little messy.

You can use the same brushing off technique with stencils that kids can cut out with scissors. This example is the story of a caterpillar turning into a butterfly, but it could also be the waxing and waning of the moon, a seed growing into a little plant, a ball bouncing through a landscape. The shapes can be simple, and the little book suggests a narrative. You can even make this a longer lesson by introducing the idea of printing an edition, signing, numbering the edition and dating each one.

PEOT_3a

First, use not-too-sticky blue painters tape as a stencil and have the kids paint off the edges to make a border for their cover:

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Then the kids can cut off and paint around their simple shapes within their books. Little fingers can easily cut out this caterpillar shape, hold it and brush off the edge of it to leave a white caterpillar shape than can be drawn into. The chapbook can be bound with ribbon or string, the stencil cover titled and decorated further. Kids can include words with their narrative, or make theirs a wordless picture book.The last blank page can be used for adding additional facts, or to dedicate the book to someone special.

PEOT_4a Peot_5a Peot_6

A Stencil Craft guest post at girlichef.com

Heather at girlichef.com is hosting a guest post from me about stencil printing tea towels and clementine crates as holders for yummy food gifts!

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Check out her post and sign up for the Stencil Craft blog tour giveaway at:

http://www.girlichef.com/2015/07/stencil-printed-tea-towels-culinary-gift.html#more

Stenciling a Tote with a Famous Face from Art History

For an online raffle for art educators, I wanted to create a stenciled tote with a face that they would all recognize.

First, I found three famous, recognizable faces online that had a strong sense of light and shadow, Michelangelo’s Adam from the Sistine Chapel ceiling, Vermeer’s Girl with a Pearl Earring, and Da Vinci’s Mona Lisa. I printed them out on my printer and then increased their size on a copy machine. To figure out the precise size I wanted the stencil to ultimately be, I made two or three sizes on the copier, and placed them on the tote bag.

three_faces

With a fine point pen, I started tracing around major shadow patterns. I used two colors, thinking initially that the stencil would be two colors: the ecru of the canvas tote would be the lightest color, and there would be a medium tone and a dark tone.

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I rejected Mona Lisa, not because she isn’t a wonderful image, but because she is SO recognizable, and because her shadows were so soft and also so complex, I thought she might need more stencil layers to make her work. AND, I liked the vermeer and Adam better. Let’s focus on Adam:

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This is the complete Adam stencil. I cut it out with a stencil burner (see the first picture to see this tool), thus the little melted blobs along the edges of the stencil. The stencil burner allowed me to cut the more detailed parts, like his ear and eye without killing my hand cutting it with an X-acto knife. I slipped and had to use a double piece of masking tape to put his mouth highlight back in…

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I sprayed the back of the stencil with Spraymount (in a well ventilated space, with an exhaust fan), placed the stencil on the canvas tote, and used a foam roller to paint the deep navy blue acrylic paint. I had to use a brush to catch the places where the roller couldn’t hit–across the pocket join.

adam_completeThis is the completed tote.  As you can see, I extended the arm line on the right with a brush, and if I paint a series of these bags, will add the arm line to the original stencil. This tote will be a part of a raffle package, including paint, a sponge, stencil brushes, stencil mylar, a craft knife and blades, as well as a copy of my new book, STENCIL CRAFT: TECHNIQUES FOR FASHION, ART AND HOME.

You can find more about this technique–making stencil portraits of people and animals–in Stencil Craft, available at bookstores near you, and these vendors:

Amazon:

http://www.amazon.com/Stencil-Craft-Techniques-Fashion-Home/dp/1440340110/ref=sr_1_1?ie=UTF8&qid=1435150975&sr=8-1&keywords=stencil+crafthttp://www.amazon.com/Stencil-Craft-Techniques-Fashion-Home/dp/1440340110/ref=sr_1_1?ie=UTF8&qid=1435150975&sr=8-1&keywords=stencil+craft

Barnes and Noble:

http://www.barnesandnoble.com/w/stencil-craft-margaret-peot/1120382081?ean=9781440340116

and

Indiebound:

http://www.indiebound.org/book/9781440340116

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Blog Tour for Stencil Craft!

Stencil Craft: Techniques for Fashion, Art and Home will begin its blog tour in one week with TLC Blog Tours:

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Each stop on the tour will feature a review, some will include an author interview, and all will have a way to sign up for a giveaway. So–that’s eleven chances to win a copy of my new book!

Margaret Peot’s TLC Book Tours TOUR STOPS:

Monday, June 29th: A Life Sustained

Wednesday, July 1st: girlichef

Thursday, July 2nd: Luxury Reading

Monday, July 6th: Cozy Little House

Tuesday, July 7th: Savvy Verse and Wit

Thursday, July 9th: Kari J. Wolfe

Monday, July 13th: Open Book Society

Tuesday, July 14th: Marcia Beckett: Making Things * Teaching Art * Being Creative

Thursday, July 16th: No Monsters in My Bed

Monday, July 20th: Spiced Latte Reads

Wednesday, July 22nd: Up to Date Interiors

 

Inkblots and Room Otto

One of the nicest things that has even happened to me, EVER, is being picked by Room Otto at Aspirations School in California to be the artist they study this year. As Kurt Vonnegut would say, “Now if this isn’t nice, what is?”  At this Reggio inspired school, they pick an artist and explore that artist’s work in depth, and then have an art show at the end of the year to show their work and to auction off a larger collaborative piece they make together.
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This is the first picture I received from Room Otto–this fantastic seahorse that is one of the best inkblot interpretations I have ever seen, from kids or adults alike!

 
Here’s a letter I got from the kids, with help from Ms. Natasha, Ms. Jenn and Ms. Sarah:
Dear Miss Margaret,
We are from Room 8, at a school called Aspirations in Carlsbad, California. We like making inkblots! Our teachers got your book about inkblots at the library. We read your book and it was really good. We liked all the inkblots from that book. We tried making some inkblots and we all liked doing it. We picked you for our artist for the art show because we think you are the greatest. We are making lots of different kinds of inkblots. We will show our mommy’s and daddy’s all our artwork at the art show.
“I like making inkblots because when we fold them, they turn into something we like!”
( Kendall, age 4)

“I like that we can fold the paper in lots of different ways.”
(Ames, age 4)

“I like the inkblots in your book because they are so beautiful!”  
(Violet, age 4)

“The dragon in your book is my favorite.”
Oliver, age 4
They sent me pictures from their final exhibit:
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The beginning, where the kids are first learning about inkblots, doing single-fold black and white inkblots and learning about Hermann Rorschach.

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The children of Room Otto wrote their names with ink along a fold of paper and folded the paper to make an inkblot image with their names, much like The Ghosts of My Friends, the Cecil Henland autograph book from crica 1900 featured in Inkblot: Drip, Splat and Squish Your Way to Creativity.

They asked me questions about myself and from this, and from a package of stuff I sent to their classroom, made this wonderfully flattering display–but first, the awesome questions:

“What is your favorite color of ink?” – Avery (age 4)
“Why do you like making inkblots?”” – Ames (age 4)
“Who’s your favorite friend?” – Trystan (age 4)
“What do you like to do Sundays?” -Olivia (age 4)

“Are you a mommy?” – Kendall (age 5)

“Who is your favorite artist?” – Auggie (age 5)
“What is your favorite letter of the alphabet?” – Riley (age 4)
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The really nice display Room Otto made for me for their inkblot art show. I have printed it out and have it on my studio wall to look at whenever I have a crisis of confidence! Thanks Room Otto!!

The collaborative artwork they made to auction off at their exhibit is really inspired–this gigantic inkblot tree, with inkblot leaves made by the children, mounted on a mottled, sky blue inky canvas. So wonderful:
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A collaborative inkblot tree made by Room Otto–check out the gorgeous subtle detail in the bark of the tree…

We love you and we think you rock!

Love, Room Otto (8)
And I love you, too, Room Otto. Congratulations on your beautiful, spectacular exhibit, your very thorough study of the inkblot form, and thank you for including me in your Festival of Inkblots. Special thanks to Ms. Jenn, Ms. Natasha and Ms. Sarah, too, for captaining the Inkblot Voyage, and keeping me posted all along with pictures and updates.
all the very best wishes,
Margaret Peot

BEA and Crow Made a Friend

Crow_Made_a_Friend_72I am pleased to announce my new book, coming in the Fall of 2015, Crow Made a Friend, an I Like to Read early reader picture book with the wonderful folks at Holiday House.

Come to the Holiday House booth at the Book Expo to get a free paper doll of Crow!

To pre-order at Amazon: http://amzn.to/1HLmmuh

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Building Up Texture with Stencils

 

snowpanel

In celebration of my new book, Stencil Craft: Techniques for Art, Fashion and Home (Look Inside! http://amzn.to/1K5rhJV), I am excited to share with you some ideas about the multiple uses for stencils: Beyond numbers on your mailbox! This beautiful sample above, for a snow-encrusted costume, already started out with some fantastic detail–satin applique on velvet, done by the amazing draper Patricia Murphy at Parsons-Meares, LTD. But to get that frosty, come and go, tumbling snow quality, I cut multiple stencils of snowflakes, and painted them with clear and slatey blues. It doesn’t hurt that Pat augmented the sample, post-painting, with stones to get that iridescent flash that’s really on snow!

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Another example of layering, a work in process, this time gears make a moody, layered, steam-punk surface. When you are working with layering stencils like this wet-into-wet, you must remember to wear gloves!

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Layering can also add interest to fabric that is otherwise intensely boring. These fronds were painted on a very lightweight woven fabric that was to be used to make pants for a stiltwalker for a circus. The fabric couldn’t be heavy, and the lightweight fabric choices were plain, plain or plain. The layering here (with some added line work and wax) adds richness and life to a fabric picked strictly for utility.

And finally, this fantastic tromp l’oeil marble sample, created by the incomparable Claudia Dzundza, is created with a complicated layering of stencils:

CD marble 2

In the Gallery in Stencil Craft: Techniques for Art, Fashion and Home (Available for preorder–http://amzn.to/1K5rhJV), there are other examples of stencil-layering on fabric to make deep jungle effects, an underwater coral reef, additional ferns and more.

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My Favorite Stencil

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Cherie Haas at the Cloth Paper scissors blog wrote a really nice piece about my new book, STENCIL CRAFT: TECHNIQUES FOR FASHION, ART AND HOME, which is available to preorder at Amazon (http://amzn.to/1K5rhJV) (Whoo HOO!!).

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In the blog, she posed a question: “What is your favorite stencil?” If you enter a comment at that blog, saying what your favorite stencil is before May 15, you will be entered into a random drawing to win a package of art supplies. (http://bit.ly/1HcQrmc)

But her question got me thinking–what is MY favorite stencil? I think there are so many uses for stencils–to repeat an image, a pattern, to add texture. Or sometimes a stencil can be used because it makes a wonderful mark–crisp and intentional–like Einstein here:

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Or this bird:

bird stencil

 

 

 

 

 

 

 

And, sometimes a stencil that really looks like something, and not just part of a pattern, can be used in combination with other stencils to make a wonderful, dynamic surface, as with these gears:

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But I think my favorite stencil of all time is a stencil that was cut by my friend and fellow costume painter, Virginia Clow. We call it the “small brain” as it was originally made to paint brain coral for a Disney park parade to celebrtate the Mulan movie. We have since used it for EVERYTHING, from rock texture, marble, bat wings to an evil octopus:

small brain, detail

 

 

 

 

 

 

STAY TUNED FOR A PREORDER CONTEST FOR STENCIL CRAFT!