Free Book Giveaway! The Successful Artist’s Career Guide

Do you have the desire to create art as a fulltime career but aren’t sure how to make it a reality? My book The Successful Artist’s Career Guide has the answers! Marion Boddy-Evans from About.com says, “It’s like an upbeat, introductory course to being a freelance artist where you encounter lots of success stories along with being given the tools and fundamental information to plan your own path.” From now until April 20 you have the opportunity to be entered into the running for a FREE copy! To enter the contest all you have to do is ask me any question regarding your artistic career in the comment section of this post. That’s it. Not only will you receive free advice from a professional artist, but you will have the chance to win your own copy of The Successful Artist’s Career Guide. Consider it just another step in your own journey to success. Read a free excerpt of The Successful Artist’s Career Guide on Amazon.

Arts in Healthcare in Utah, Part 1: Huntsman Cancer Institute

 

Last week, I had the pleasure of flying to beautiful Utah, to Salt Lake City. It was gorgeous there–the natives told me that if I was only there for the spring, I would really see something special–this was considered the less beautiful season (looked pretty amazing to me!):

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I was in Utah to teach costume painting at Brigham Young University, and also talk to the design students there about art careers, and their careers in the theater. BYU hosted me, flew me there. The wonderful Mary Farahnakian, the costume design head at BYU, was a wonderful host, and the students were great. But, more about that later–I am going to describe the trip chronologically.

Ken Crossley, of EngAGE Utah, an organization that facilitates arts-in-healthcare opportunities for seniors, invited me to come first to Salt Lake City to the Huntsman Cancer Institute to do an inkblot workshop with cancer survivors there with the Artist in Residence, Jorge Rojas. Jorge and his students are doing amazing work at Huntsman–the real deal–not macaroni glued to boards, but really grappling with art making and all of its joys and trials and wonderful puzzles. This video that the Communication Department at Huntsman put together about the art program will give you a better sense of what they’re doing–really neat— https://www.youtube.com/watch?v=Q4dazFg-Mco

Out of respect for the privacy of the students, I won’t show you pictures of them, but I can show you pictures of some of their inkblots, as well as pictures of me–take note of the fabulous view behind me. My plane got there an HOUR late for an hour and a half long workshop, but the participants stayed extra, and also started making inkblots without me with Jorge’s guidance, and some of my inkblot youtube videos, too. I always try to show different kinds of inkblots, too–round ones to make planets, mandalas, masks, landscapes, butterflies and bugs–so participating artists can see that the form is rather flexible and not totally random.circle

After we made a few more inkblots, we played the looking game, first together, and then in individual groups–like–look at three inkblots and tell us all, “These are pets at a pet store. Tell me which of these would be a good companion pet for your difficult persian cat. Why?” or, “These three inkblots are circus performers auditioning for your small circus. You can hire one act–pick one from these three. What is the act? Why did you pick them?”

Then, we drew and colored into what we saw in our own inkblots which were now dry enough to color into.

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It was very fun. One of the students looked into an inkblot she made and said, “I see a path into this inkblot, and in the middle of it is a hope.” Amen to that!

The Huntsman Cancer Institute is amazing–beautiful, heart-lifting space, lovely views of the mountains, spectacular marble and wood, thought-provoking art hung all through the facility. Thank you again to Ken Crossley and EngAGE Utah for making this workshop at Huntsman possible.

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Stay tuned for Provo Rehab…

 

Inner Hero Book Giveaway Winner!

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Congratulations to Elaine Koenig! Elaine has won the drawing for a signed copy of Quinn McDonald’s new book Inner Hero Creative Art Journal: Mixed Media Messages to Silence Your Inner Critic. She said in her comment that she is “not an artist,” but as we all have inner critics and engage in creative endeavors of all sorts,  this book is filled with helpful tips to sidestep the inner critic and get on to the GOOD STUFF.

Congrats again, Elaine–here it comes!

 

Book Giveaway! Quinn McDonald’s INNER HERO Creative Art Journal

 

Quinn McDonald has written a lovely book in Inner Hero Creative Art Journal: Mixed Media Messages to Silence Your Inner Critic. With creative prompts, encouragement, new techniques and worksheets, you will get closer to having your inner critic step into a new role as Inner Hero. Leave a comment on this post, and be entered to win a signed copy of this new book by North Light Books! It is a lovely book, beautifully designed, that will be a helpful and supportive addition to your art bookshelf.

The book includes additional artwork and advice by Seth Apter of The Altered Page, quilter Diane Becka and ceramicist Liz Crain, and myself, among others. Thanks, Quinn, for inviting me to be a part of such a nice project!

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Reading this book has me revisiting the idea of the inner critic and what keeps us from our creative work. I find that procrastination is one of the things that keeps me from the studio. What IS that thing that finds us finding a hundred busy-work things to do, like sterilizing the cat’s toys, or sorting the junk drawer, instead of getting set up to start or finish a new project in our studio? Especially when we like to work on our creative work best of all, and it is infinitely more rewarding that sorting the junk drawer?

Procrastination is the Inner Critic’s fiendish friend.

Here are some tips for combating procrastination:

1. Leave the studio (or your designated creative space) with one obvious task undone–final brushstroke on a piece, a stack of prints to title and sign, a coat of varnish to put on a finished work. That way, when you enter your studio, there is a task to complete, and you won’t spend time dithering about What to Do Next.

2. Hemingway tried to leave his writing when things were going well. This is a good idea for any kind of artist–leave your work when great ideas are still flowing and you are still having fun, so you can’t WAIT to get back to your creative work.

3. Have more than one thing going at once in your studio, so that when you get to a waiting place–like waiting for glue or a glaze to dry–you have another thing you are working on or thinking about. This extra thing can be cutting paper to size (like cutting a stack of 5 x 7 pieces of paper to do the exercises in Quinn’s book, for example!), gessoing a canvas, or can even be a wonderful art book that you have put aside for just this purpose–something to look at and be inspired and rejuvenated by.

4. Set time limits and take breaks. Work for a set periods of time, then allow yourself 15 minutes to have a cup of tea, read, walk out to get the mail and paper. Even if you are really cranking it out in your studio, these breaks refresh the mind and give you extra juice to keep going.

5. Do your creative work on a regular schedule. That way, when you get into your studio every day, your mind and body are accustomed to the routine, and ideas will flow more readily.

6. Build in days off. Days spent puttering, wandering through Chinatown or a museum, snoozing in the sun, walking, idly staring out the window–these idle times are essential for nurturing the creative spirit.

You don’t have to do all of the above things, but I bet one of them rang a bell–do that one!

So–to win this signed copy of Quinn’s new book, leave a comment on this blog post before March 13 (next Thursday), and all the commenters will be entered in a drawing to win. Good luck!

 

 

SCBWI 2014 Winter Conference in NYC

 

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(this is what my eyes looked like after that first day…)

This past weekend was the SCBWI conference in NYC at the Hyatt next to Grand Central Terminal. It was a fantastic, overwhelming, moving couple of days. The keynote speech by Jack Gantos flew by in a flash. How he could show pictures of lists and charts and yet still be wildly entertaining is something to study. He told How to Write a Picture Book, a middle grade book, a chapter book, in great, generous detail. He showed us pictures of the library in Boston where he works, every day (he even has his own locker there, like an employee). That is perhaps the key–he works at it every day. Like a job–which it is, of course.

Kate Messner spoke on the Spectacular Power of Failure, which sounds grim, but was in fact a very neat talk. She encouraged the room to celebrate our small successes and not continually set the success bar higher and higher so we never have achievements that we recognize for ourselves. You know? She said that when the painter Chuck Close finishes a painting, he does the last brush stroke, puts down his brush, turns on some Aretha Franklin and boogies to celebrate. Very good practice! Of course that also means that he knows exactly when something is done…

Listening to all the presenters, and hearing the questions from those in the audience, I couldn’t help but wish that I had some postcards for The Successful Artist’s Career Guide on me–missed marketing opportunity. So many of the people in the room were trying to make a living as artists and writers, and in the book are interviews with kids book illustrator Jennifer Sattler as well as with graphic novelist GB Tran, and of course, the amazing illustrator Marshall Arisman. They tell how they made it happen, and are making their art careers and lives work, and I find their words continually inspiring.

Lin Oliver, as the emcee and head honcho of scbwi, is always fun to listen to. She is so warm, and clearly loves what she does, loves kids books, and has a great deal of respect for the craft and the community. That everyone loves her is also apparent. Thanks, Lin and Stephen, for another wonderful conference experience.

Nancy Cisco, editor at Knopf, gave a crackerjack talk on the middle grade novel–what she likes and loves about her favorites. These are some of my unreadable notes–but I think the eggs are all the possibilities…all the middle grade novels ready to be incubated and hatched out–in ME, I hope!

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Pop-Up Art from Vojtech Kubasta

At the Grolier Club in Manhattan, there is a terrific show of Pop-Ups by the Czech artist Vojtech Kubasta. This small show closes on March 15th, and is worth the trip to East 60th street in Manhattan. The pop-ups are magical–some are stand alone, to explore with your eyes, and one included figures who could roam through a pop-up jungle.

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Giant tie-dyed parachute for Cincinnati Ballet

A wonderful puzzle: a giant nylon parachute makes an undulating lake from which three witchy ladies rise up. Its not magical unless it looks like Sandra Woodall’s wonderful sketch for the Ladies of the Lake for The Cincinnati Ballet’s Camelot. I tied it (on three cardboard fabric tubes in lieu of PVC pipes) and several twisted tentacles, and dyed it with union dye, as the parachute was made with lots of different materials in addition to nylon, and union dye gave it a fighting chance to all be blue!

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Then with help from the draper and first hands, we put it in the vestibule of Parsons-Meares (the only place tall enough) on three plastic covered stands. I painted and spattered it with Liquitex Ink!, a product remarkable for its intense color, and nice hand on fabric–and it doesn’t have to be heatset in any way.

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This is a (sideways) detail so you can see that Lascaux acrylic aluminum paint that I spattered here as the Liquitex Ink! silver wasn’t opaque enough for this purpose–to look like light reflecting on water…
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This nice photograph of the Ladies in their pole-wrapped unitards, was not taken by me, but rather by a professional photographer associated with Cincinnati Ballet. When I find out who it was, I will hasten to give them credit…

Inkblot Review by Curriculum Choice

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

Stephanie Harrington wrote a very nice review of Inkblot: Drip, Splat and Squish Your Way to Creativity on the blog Curriculum Choice, a great blog site for homeschoolers. Click on the link and check out some of the great inkblot art she made with her kids!

http://www.thecurriculumchoice.com/2014/01/inkblot-margaret-peot/

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(This Old Man Fish inkblot is from Inkblot–check out the book and watch him transform!)

Happy New Year and the 2014 Artist’s and Graphic Designer’s Market

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The Successful Artist’s Career Guide: Finding Your Way in the Business of Art is excerpted in the 2014 edition of The Artist’s and Graphic Designer’s Market! Along with a lot of helpful articles about making a living as an artist, as well as listings of galleries, book publishers, illustration opportunities, art fairs and art reps and other ways to make a living doing what you love: http://www.amazon.com/2014-Artists-Graphic-Designers-Market/dp/1440329435/ref=sr_1_1?ie=UTF8&qid=1389019721&sr=8-1&keywords=artist%27s+and+graphic+designer%27s+market

Happy New Year! Hope 2014 finds you making a living as an artist, just as you have always planned…

 

Sei Shonagon and Pillow Book (translated by Ivan Morris)

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Sei Shonagon was a Japanese court lady, in service to the Empress Teishi around the year 1000. She is best known for her Pillow Book, a collection of observations of court life, and also lists of things: Pleasing Things, Hateful Things, Surprising and Distressful Things, Rare Things. She wrote honestly and well, revealing a personality that is both deep thinking and wistful at times, and also petulant. Some of the things she writes are true today, just like all true, human things are, I suppose.

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Some quotes from Pillow Book:

“ In spring it is the dawn that is most beautiful. As the light creeps over the hills, their outlines are dyed a faint red and wisps of purplish cloud trail over them.
In summer the nights. Not only when the moon shines, but on dark nights too, as the fireflies flit to and fro, and even when it rains, how beautiful it is!
In autumn, the evenings, when the glittering sun sinks close to the edge of the hills and the crows fly back to their nests in threes and fours and twos; more charming still is a file of wild geese, like specks in the distant sky. When the sun has set, one’s heart is moved by the sound of the wind and the hum of the insects.
In winter the early mornings. It is beautiful indeed when snow has fallen during the night, but splendid too when the ground is white with frost; or even when there is no snow or frost, but it is simply very cold and the attendants hurry from room to room stirring up the fires and bringing charcoal, how well this fits the season’s mood! But as noon approaches and the cold wears off, no one bothers to keep the braziers alight, and soon nothing remains but piles of white ashes.”

and another, from the list “Rare Things”:

“71. Rare Things— A son-in-law who’s praised by his wife’s father. Likewise, a wife who’s loved by her mother-in-law.

A pair of silver tweezers that can actually pull out hairs properly.

A retainer who doesn’t speak ill of his master.

A person who is without a single quirk. Someone who’s superior in both appearance and character, and who’s remained utterly blameless throughout his long dealings with the world.

You never find an instance of two people living together who continue to be overawed by each other’s excellence and always treat each other with scrupulous care and respect, so such a relationship is obviously a great rarity.

Copying out a tale or a volume of poems without smearing any ink on the book you’re copying from. If you’re copying it from some beautiful bound book, you try to take immense care, but somehow you always manage to get ink on it.

Two women, let alone a man and a woman, who vow themselves to each other forever, and actually manage to remain on good terms to the end.”

These beautiful words were translated from Japanese by Ivan Morris in 1991. A copy of the whole thing, should this text touch your heart as it did mine, is available to buy at Indiebound and Amazon. Ivan Morris was a translator of many Japanese works, honored by critics and his peers. He was also the chairman of Amnesty International at the time of his death. The NY Times said, “I can’t imagine a better introduction to Japanese culture than the one ‘The Nobility of Failure’ provides,” wrote Christopher Lehmann‐Haupt in The New York Times. Mr. Morris wrote with a detached elegance. He could also write with passion, as he did in pleas on behalf of what he called prisoners of conscience.”

Thank you to Dr. Janine Beichman, Professor Emerita, Daito Bunka University, for her help in finding the translator of this text. Dr. Beichman is the translator for Beneath the Sleepless Tossing of the Planets: Selected Poems by Makoto Ooka, Winner of 2019-2020 Japan-US. Friendship Commission Prize for the Translation of Japanese Literature. That’s next on my list!