Society for Illustrators Annual Best of Kids Books Illustration

Sue and I took our annual trip to 63 and Lexington to the Society for Illustrators Annual Best of Children’s Books Illustration. It is always inspiring! Thankfully, the artwork was the Real Thing–last year it was all printed and framed by the Society because of Covid. There were still no books to sit and look at, but seeing the artwork in all its luscious glory was *almost* enough. It was especially cool to see my colleagues’ (we share a wonderful agent, Anna Olswanger) work–Yevgenia Nayberg’s Mona Lisa in New York and Kunal Kundu’s Wildlife on Paper: Animals at Risk Around the World.

Here are some more of my favorite ones. The Tiffany Bozic one with the tromp l’oeil painting might be my very top fave. Dang. Check these out:

Getting Ready for the December 12 Hudson Coop Sale in the 187 Schoolyard

I am gathering and printing, stamping and sorting, and getting everything ready for the Hudson Coop Sale. Hope you can join Sam and I! I will have copies of all my books available for purchase, including my new book AT NIGHT (Muddy Boots Publishing) (all about nocturnal mama and baby animals and what they are getting up to while we are sleeping.). AND, I’ll have printed tea towels (including two new ones–one with a honey story–with bears and bees and hives, and one Christmassy reindeer), printed cards, stencils, ornaments and more.

We will be in good company with so many other vendors, selling socks, Washington Heights merch, candles, cookies (the amazing Dutch Baby Bakery will be there–yum). Join us! Come hang out and chat–the warm holiday vibes are FREE.

GIVEAWAY! Leave a comment below to be entered to win a copy of my new picture book AT NIGHT

The winner of a copy of AT NIGHT is Like Lokon! Congratulations!!

Leave a comment below to be entered to win a copy of my new picture book from Muddy Boots, AT NIGHT!

You can say anything in the comment to be entered, but it would be fun to know if any of you have ever had a memorable encounter with a nocturnal animal. I remember driving home to my mother’s house in Ohio once and seeing a mother opossum running up the hill away from the car headlights with seven or eight baby opossums bumbling along behind her…SO cute.

Who is in the woods at night and what are they up to? Look for mother and baby nocturnal animal pairs in my new picture book, suitable for kids ages 0-9.

No purchase necessary! The drawing will be held November 15, 2021 at 5:00 PM East Coast time, and one person will be selected in a random drawing, and I will mail you a book. US and Canadian entries only please. 🙂

Showstoppers! Now Open til October 31!

The Costume Industry Coalition presents SHOWSTOPPERS an exhibit in Times Square celebrating the artisans, artists and craftspeople who bring the costumes of the theater to life: https://www.showstoppersnyc.com/

Please come to visit this amazing exhibit. It is detailed, moving, educational, and all proceeds from ticket sales goes to benefit the Costume Industry Coalition, founded to keep artisans afloat during the pandemic.

Polly Kinney working on beading for Aladdin–IN the exhibit!

Penn and Fletcher: Ernie shares his crewel embroidery machine from the 60s…

Hochi Asiatico’s amazing gutta painting

Me! In a film in the exhibit, painting a skirt from Moulin Rouge

More me, painting at Parsons-Meares, LTD

Kathleen Weddle working on a Skeletard for Phantom in a film in the exhibit

Me with a unitard I painted for Ringling Brothers

Showstoppers!

Ginny Clow and I enjoyed our appearance at Showstoppers in Times Square! Ginny painted on something for Lion King, and I “fantasy aged” a Hidden Folk costume for the Frozen tour. We enjoyed chatting with the visitors about what we were doing, and asking them what they were up to. Lots of college students interested in theater design and crafts…

I was pleased and proud to be included in this nice article for Theatermania about my pandemic experience. Kenji, the author, met us that day at Showstoppers. These pictures were taken on my phone by a nice Carnegie Mellon student 🙂

https://www.theatermania.com/new-york-city-theater/news/showstoppers-exhibit-celebrates-the-unsung-heroes_92735.html

The Supernatural Hare

A linocut I carved and printed this spring, as we are starting to come out of our long pandemic slumber.

When I was in my twenties, my good friend Ardis Macaulay did a kind of oracular reading for me of her David Carson Medicine Cards, and from that, I was left to understand that my innermost essential animal spirit was a hare. A hare! It didn’t seem to be a very sturdy, fierce creature to have as a spirit animal, especially as I was getting ready to begin my life as an artist in New York. I would have rather the card have represented a wolf or a bobcat: a creature that could stand up for itself in a conflict.

But then I remembered the Life Nature Library book The Mammals that I pored over as a kid. There was a fierce rabbit or hare in there, I recalled:

Here this rabbit is driving a raccoon away with a few sharp, decisive kicks. No messing around.

Its a rabbit, actually: Kicking butt! That was a kind of animal spirit I could take with me to NYC happily. Over the years I have grown to love and appreciate the energy of this creature: its beauty, dignity and ability to thrive in adverse circumstance.

Today I happened across the most excellent @scientificamerican Scientific American article The Legacy of the Trickster Hare by Krystal D’Costa. Ms D’Costa takes apart the idea of the fluffy Easter Bunny and introduces a darker, more powerful creature. To begin with, here’s the difference between a rabbit and a hare, from that article:

“The difference between a hare and a rabbit makes a world of difference when you start to ascribe meaning and intent to the animal. Hares are larger and live above ground; their fur may change in accordance with the seasons (perhaps for camouflage—more on this later); and they’re fast, powered by large hind legs. They’re also largely independent and tend to be solitary. This is in contrast to rabbits who are smaller, gregarious, and spend the majority of their time in burrows (with the exception of the American cottontail).”

Ms. D’Costa takes us through the world to tell us myths of the hare. Hare was the messenger of Artemis, the goddess of the hunt. Hare could travel all across the world from the realm of humans to the realm of gods, fluidly, and in the moonlight. The hare and the rabbit are associated with the moon in many cultures, from Japanese, Chinese and Korean lore to that of aboriginal Americans. In the Japanese artist Yoshitoshi’s One Hundred Aspects of the Moon, the warrior Sun Wukong fights the Moon Rabbit (it doesn’t look like a fair fight):

In Mayan culture, the rabbit is seen as being associated with their Moon Goddess. In North America, in Cree culture, there is a myth of a rabbit wanting to be carried to the moon. A crane was the only bird who would carry him there. As they flew, the heavy rabbit stretched the crane’s legs, which is why the crane’s legs are as long as they are. And the rabbit (once it got up there) can still be seen riding the moon when it is full on a clear night.

We had the Uncle Wiggily board game when I was very small, which I remember as being not all that interesting, except I loved the plastic figures of Uncle Wiggily. I think it was because I loved his style and maybe, looking at it now, the way his face was drawn on the box 🙂Plus, somewhere along the line, we had a well worn copy of the stories of Br’er Rabbit. Ms D’Costa refers to him as the “ultimate trickster figure,” the trickster being powerful and also somehow amoral who occasionally uses his powers to help others.  “He is constantly using his wits to escape tricky situations, but also rarely neglects those smaller than him.”

Brother Rabbit

And as I am making my way down this rabbit hole (if you’ll forgive me) of hare and rabbit reading and research, I am looking here at Br’er Rabbit and then back at my linocut rabbit, above, and seeing some distinct similarities. I hope I can be like him–using my wits to escape tricky situations and also rarely neglecting those smaller than me.

Not the original Hare Medicine Card, but I made an homage to it by designing a stencil of it for StencilGirl…

 

Chimera House Artist Retreat

I spent last week at Chimera House as the first guest at this new artist retreat. Chimera House is a huge, multi-roomed and extravagantly porched circa 1890’s house in Jeffersonville, NY, in the Catskills. Before it became a retreat, the house  belonged to Lee Nagrin, a noted Off Broadway performance artist, playwright, painter and director, who died in 2007. For more about her life and work, visit her website, here, and the NY Times obituary here. Composer Daniel Levy and I shared the house for this retreat. It stands to reason that we would have had a productive time working in her space, as Ms. Nagrin was a fantastically productive creator.

I set up on the immense back porch to work in the cool spring sunshine, to make some ink and watercolor planets. It was luxurious to have the space to stretch out, to lay things out to look at, to splatter and splash, to work large::

I could work quickly, wet-on-wet, and let the planets dry in the sun.

A mini rainstorm brought me and the planets indoors, here under the watchful eyes of two of Ms Nagrin’s paintings.

Composer Daniel Levy worked in the gracious front parlor at the grand piano:

Not all artists are starving, though! Daniel made a fantastic lunch one day in the large kitchen, with chicken and potatoes from the grocery store that is in walking distance from Chimera House. I used the kitchen table on a cooler day to work on woodcut carving:

It was a very mentally refreshing work time. There were vultures and crows in abundance, a pregnant deer with her young one from last season, bright stars in the night sky and a sliver of a new moon. Thanks very much to Sally Ann Parsons, the director of Chimera House for allowing me to have this space and time to do my work.