Coronavirus Drawing Days Part 2: Exquisite Corpse

I have been thinking a lot about the game Exquisite Corpse, as popularized by the Surrealists. Here’s an article about it from MOMA: https://www.moma.org/collection/terms/138

The idea is that you draw or write on a portion of a piece of paper, and then fold it so that the next “player” cannot see what you have drawn. Then they write the next sentence in the story, or draw the torso of the creature or portrait you are working on together. Then they fold the paper, and hand it either to a third player or back to you, a third part is drawn or written, then the whole thing is unfolded to see what kind of craziness happened on the page. I think you could do this for fun totally by yourself, by making three at a time, folding them, then closing your eyes and picking one to draw into. Or you could find a like minded person and have a postal service game–you mail yours, they draw and mail it back, etc. Then you could post them on IG, or send me one to see!

In the cartooning class I have been taking (with the inimitable Josh Bayer at the 92Y), we did not play this game, but he had us combine or alter these old drawings he found. We copied some part of the drawing to learn something from them (in this case, that shading the leg or arm further from the viewer makes a lot of space in a picture suddenly and magically), and then add something to the drawings to make them our own. Here’s what I did. I think it will be my Holiday card this year. It has been a sufficeintly strange enough year I don’t think anyone will bat an eye:

Coronavirus Drawing Days Part 1

Boy, weird times, right? This has been one of the most disconcerting times I can remember. No costume work, no Broadway, everything closed up tight.

With the double layer, reversible mask I made from my grandmother’s handkerchiefs, I work at Parsons-Meares’ costume shop to get stuff on to the tops of the tables so they can do a deep clean of the floors in the hopes we will all be together making costumes again.

So…I have been drawing (and taking Josh Bayer’s –author of THETH–Zoom cartooning class at 92Y). The drawing has been satisfying and transporting. And transporting is exactly what I have needed!

A drawing I did of my brother holding Elena when she was a baby.

One of the assignments Josh gave the class was to do a spread with six random memories of some time in my life. The memories could be very small, nothing life changing. I loved this task. Exploring these really tiny moments is interesting–to hold them and look at them and draw them makes them S   T   R   E   T   C   H out in time.

Six Random Memories from my life…

So my brother is there, too, on the right, but that doesn’t actually look ANYTHING like him–it was more the idea of my brother and our beautiful endless days of playing around and on and next to the pond.

 

Adding Texture to Drawings with StencilGirl® Stencils

StencilGirl® invited me to contribute a blog post this spring, and I am so happy to oblige! They are a terrific company, and there is a wealth of interesting stencils to choose from, designed by their contributing artists–bugs, birds, bees, repeat patterns, rough textures, stencils for art-making, crafts, journaling. Click on the link below to see a video tutorial, put together from my drawings by my husband Daniel Levy, with his wonderful original music:

https://www.stencilgirltalk.com/2020/04/combining-drawings-with-stencilgirl-stencils.html

Adding texture with Impressionist Brush Textures stencil

Impressionist Brush Textures stencil

Looping Leafy Vines Background stencil

Adding texture to the background of this drawing, again with the Impressionist Brush Textures stencil

Looping Leafy Vines Background stencil Impressionist Brush Textures stencil

This Weird Isolation

I wonder how you all are managing! I hope all of you who are not essential workers are all safe at home making art. Or bread. Or cookies. 🙂 And blessings to all of those who ARE essential workers: Lydia, Megan, Melissa, Matt, Terry, Brian, Bismark, Billy, Frank (and thousands and thousands more).

New York is strangely still, even though we all are aware of each other (and staying six feet away) and also of the frantic efforts in pockets of our city to keep people alive. The days pass by quickly, and sometimes I get a lot done, and sometimes not.

The magnolia trees I can see from our fire escape have been astoundingly gorgeous this year, a boon to bruised hearts:

And I have had solitary walks in the lovely Fort Tryon Park that soothe the soul, and best when rainy and no one is out to have to be socially distant from:

And I have had walks and talks with Sue, safely, masked and six feet away:

Studio time takes up the rest of the day (that isn’t spent cooking), and I have had the luxury of getting to do a deep dive into a series of personal ghost stories, aided by an online cartooning course from the 92Y taught by the inimitable Josh Bayer:Using my StencilGirl stencils to add texture to a ghost story... More StencilGirl stencils, adding texture to a self portrait StencilGirl stencils and a big Molotow paint markerto add texture to more of the ghost story.Someday I will get to be back at Sally Ann’s painting costumes, though who knows what theater is even going to be when this all falls out. I think we will need it more than ever.

Stencil beginnings to a skirt for Moulin Rouge

Sadie and the Fairy House

Last weekend, I visited with my friend and neighbor Sadie to check out the coloring she and her grandmother did on her Fairy House: A Color, Punch Out and Play Set. They did a great job! And had lots of good ideas. I especially like this–that they perched the bird on the top of the playset:

Bird perched on top of playset instead of on its stand, which I think is an excellent plan!

The colored the bird on top of the roof in this shot to look like it was related to the “bird friend.”

Sadie uses the tablecloth as a sleeping bag for one of the fairies who prefers to sleep outside in the fairy atelier.

 

The fairy house gets a lot of use. Sadie and her grandmother get it out and play with it often, imagining different scenarios and stories for the fairies to be involved in.

And finally, the paper fairies and furniture get put away for another day.

To purchase your own copy of Fairy House: A Color, Punch Out and Play Set, go to Amazon or Barnes and Noble.

Society of Illustrators 2019 Best Illustration Show

The 2019 Society for Illustrators Best Illustration Show was inspiring this year (as always). I am including a small selection of the pieces, but it was truly one hit after another. The Shaun Tan cicada painting was gorgeous! And haunting…

I was quite taken with the illustrations by Leuyen Pham for The Bear Came Along–they stuck with me. I think it is because they look like old fashioned, out of scale maps, the kind that you might get if you were at a famous tourist destination and picked up the map at the guest center that has little drawings of all the sights you should see. I loved those as a child–they seemed dollhouse like, like playmats, where I could wander with my finger and imagine all that I could see and do.

Sue Seitner (who knows more about children’s books and illustration than almost anyone I know!) and I saw the exhibit together, and afterwards went upstairs to the glamorous and old fashioned bar for a drinks and snacks. On the way up, we saw this Montgomery Flagg illustration-painting on the stairs: check out those beautifully painted hands, the painterly bar stools, the knowing look of the bartender in the center of the painting. And the young woman–she doesn’t believe anything he is saying…

Doug Salati: Lawrence in the Fall

This was such an extraordinary collaged piece, and I didn’t take a picture of this artist’s name…TBA…

Leuyen Pham: The Bear Came Along

Shaun Tan

James Montgomery Flagg: I Will Love You Always

Harvest Festival!

Come one, come all to the annual Harvest Festival in Fort Tryon Park!

Pumpkin patch, cupcake decorating (and eating, one assumes), the pie contest (I know there will be some intense competition this year), games of speed and chance (a sack race, I think), lots of MUSIC, and the chance to visit with your beloved neighbors in this super-special, all-free, lovely neighborhood event:
Saturday October 26th 1-4pm (rain date Oct. 27th), on the lawn next to The New Leaf.

Once again, I designed the t-shirts worn by the volunteers, and a print will be raffled of to benefit the event–to pay for table and chair rental and other things. Last year I did the neighborhood, and this year I did creatures of Fort Tryon Park, including pollinators–because they are SO IMPORTANT:

More Crow Thank Yous…

Just looking through these Crow Made a Friend thank you cards puts a smile on my face. Its my go-to activity when I get stuck in my studio! So here’s some more for your delectation. I especially love “DRIP,” and the elegance of the yellow Thank You.

These are from Ms. Neidish’s library classes, second graders, at PS187: Buy on Amazon: Crow Made a Friend

or Indiebound: Crow Made a Friend

Word Up Community Bookshop Kid Lit Festival 2019

Word Up Community Bookshop had a “Mini-Festival” of children’s literature this weekend and it was so fun. I was there with many of my uptown illustrator and writer colleagues, from Dr. Ruth Westheimer (Roller Coaster Grandma) and Chris Raschka (Yo! Yes?) to Tracey Hecht (The Nocturnals) and Jerry Craft (New Kid).

Folding and smooshing…

The reveal!

Word Up had a bookselling tent as did Scholastic. There were prizes and free books, crafts, readings. The weather was wonderful and there was a great turnout!

I provided thinned tempera instead of ink–because its washable!

I was there making inkblots. Every kid got to make one inkblot at my tent, and judging from the diminishment of my stack of paper, I’d say 250 kids made inkblots: Beautiful.

Word Up Community Bookshop’s book tent. I was in good company with Museum Visit and Fairy House Color, Punch Out and Play Sets (Pomegranate Kids), Crow Made a Friend (Holiday House) and Inkblot: Drip, Splat and Squish Your Way to Creativity (Boyds Mill Kane)

A dad kindly took a picture of me in my tent before things got too messy and crazy 🙂

The kids made inkblots, and I hung them with clothespins to a line around the edge of the tent to be picked up later. Drippy ones got put on the grass under the table to dry.

I provided black, green, orange, yellow. Almost everyone wanted to use ALL the colors.

Festival organizer Veronica Liu, me, Jerry Craft and Julia Mallory

Look for Inkblot at Amazon or Indiebound: